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Architecture & Interiors

Put the whole project in view.

Bring drawings, renderings and design references together on a dedicated review wall. CinemaBoards gives your team a shared place to compare options, discuss revisions and keep work visible between meetings.

A run of borderless charcoal pin-up boards across a design studio wall, holding architectural plans, elevations, renderings and material references, hung on timber rails that run the length of the wall just below the top edge of each board
Concept illustration A review wall in a design studio.

Three ways the wall gets used

One surface, from first sketch to sign-off.

Internal design critique

Options pinned side by side at the size they were drawn. Plan, section and elevation for the same scheme in one glance, so the team is discussing the building rather than which file is current.

  • Option studies compared at full size
  • Plan, section and elevation together
  • Redlines marked up in front of everyone

Client presentation

A wall that is already set up when the client walks in. No projector and no screen share, and the client can walk the length of the scheme at their own pace.

  • Scheme presented at a readable scale
  • Precedent and finishes shown alongside
  • Decisions made standing up

Ongoing project wall

The version that stays up. Current drawings live on the wall between meetings, so anyone walking past sees where the project is without opening a folder.

  • Live set kept visible
  • Superseded sheets pulled, not buried
  • New starters get oriented quickly
8 ft4 ft24 in
Scale drawing Three 24 × 36 in sheets, portrait, on one 4 × 8 ft board.
8 ft4 ft36 in
Scale drawing The same board, landscape: two sheets.

Sheet sizes

How a 24 × 36 in sheet lays out.

On a single 4 × 8 ft board — a surface 96 in wide and 48 in high — allowing 2 in clear at each board edge and 1 in between sheets:

24 × 36 in sheets on one 4 × 8 ft board
Portrait (24 in wide)3 across, 1 high — 3 sheets
Landscape (36 in wide)2 across, 1 high — 2 sheets
Hung vertically instead2 portrait, or 3 landscape stacked

Two boards side by side — a 16 × 4 ft surface — take six portrait sheets in a single row. A3 and A4 capacity is on the Boards page.

Measuring up

Three dimensions, decided separately.

These get confused with each other, so it is worth keeping them apart when you measure.

CEILINGsurface 8 ft4 ftabove floorlift clearance
Scale drawing One 4 × 8 ft board over a credenza, on a 10 ft wall.
  • Surface size

    The board faces butted together. One 4 × 8 ft board hung horizontally is an 8 ft wide, 4 ft high surface. Two of them are 16 ft wide and 4 ft high.

  • Height above the floor

    Where the surface sits, which is your decision. Desks, credenzas, skirting and window sills usually set it. There is no required mounting height.

  • Lift clearance

    A board hangs on a rail, so it needs free space above to come off again. That figure is confirmed for your configuration when we quote — it is not drawn here because it has not been measured.

Measure the clear width between obstructions and the clear height between whatever stands against the wall and the ceiling line, then send both with your request.

Where practices start

A review wall does not need a big room.

Drawn to the same scale. Sheet counts are 24 × 36 in portrait and A3 landscape.

8 ft4 ft

Single review board

Surface 8 ft wide × 4 ft high · 32 sq ft

The simplest way in. One board, one rail.

Boards
One 4 × 8 ft board
24 × 36 in sheets, portrait
3
A3 landscape
15
Request this configuration
8 ft4 ft

Compact review wall

Surface 8 ft wide × 4 ft high · 32 sq ft

The same surface in two lighter pieces — easier to carry up stairs and to fit around a switch or a return.

Boards
Two 4 × 4 ft boards
24 × 36 in sheets, portrait
2
A3 landscape
12
Request this configuration
16 ft4 ft

Expanded review wall

Surface 16 ft wide × 4 ft high · 64 sq ft

A full project wall along one side of a meeting room.

Boards
Two 4 × 8 ft boards
24 × 36 in sheets, portrait
6
A3 landscape
30
Request this configuration

Board dimensions are the panels. Surface dimensions are those panels butted together. If you want a reveal between panels, add it to the overall surface width and height. Sheet counts are calculated from paper dimensions, allowing 1 in between sheets and 2 in clear at each board edge. They are planning figures for laying out a wall.

Tall bays and larger installations

Design studio questions

Before you measure.

How much wall does a review board need?

A single 4 × 8 ft board hung horizontally makes an 8 ft wide, 4 ft high surface, so it needs a clear run of 8 ft. Two 4 × 4 ft boards make the same surface in two lighter pieces. How high you hang it is your decision, driven by desks, skirting and sills rather than by the product.

Can we pin up material samples?

Lightweight references — printed finish sheets, laminates, veneer leaves, swatches mounted on card — pin up fine. Boards are made for paper. Heavy material samples — stone, tile, thick timber or metal — should not hang from a pin on any fabric board; those need a shelf or a tray. Practices that review physical materials usually run a shelf or a sample tray below the wall and keep the pinned surface for drawings.

Will it damage the wall behind it?

One rail is fixed to the wall, once. Everything after that goes into the fabric face rather than the plaster.

Can we take it with us if we move?

Yes. The boards lift off the cleat rail and go back up in a new space, and at about 15 lb for a 4 × 8 ft board they are straightforward to move. The rail stays with the old wall, so a new rail is installed at the other end. Mention it when you request a quote.

Send us the wall.

Dimensions, a photo if you have one, and what you need to keep visible. You will get a recommended layout and an itemised quote.