Creative Teams
Agencies, game studios and product teams work the way architects and story teams do: print the options, put them up together, and decide standing in front of them.
Applications
Campaign routes pinned side by side instead of clicked through one at a time. A pitch room set up before the client arrives, and a wall that holds the territory while the work develops.
Concept art, character line-ups, level beats and narrative flow laid out where the art director, the designers and the writers see the same thing without a build or a screen share.
Sketch pages, orthographics, CMF studies and printed renders pinned together so a development direction is legible at once rather than scattered across a shared drive.
Physical prototypes and heavy samples need a bench or a shelf.
The same board, either way
There is no sector-specific version. The differences between a story wall, a design review wall and a pitch wall are how big it is and where it goes.
The fabric wraps the face and the edges, so there is no frame or trim on the front. Boards sit edge to edge and read as one continuous surface.
A high-durability fabric made for commercial and severe-duty use, water, soil and mildew resistant. Work goes up with pins — no tape, no adhesive, nothing left on the wall behind.
A 1/2 in high-density foam core keeps a full 4 × 8 ft panel flat and stiff at about 15 lb, with a solid wood internal frame and hardboard back carrying it from behind. 1 1/4 in overall.
Two cleats on the back of the board and one wall rail come with every panel. The rail goes up once; the board lifts off and re-spaces along it.
Wall dimensions, what goes up and how often it changes. You will get a recommended configuration and an itemised quote.